Homenaje a Jicotea Ca 1943 Lowe Art Museum University of Miami
Lydia Cabrera and Édouard Glissant: Trembling Thinking is an exhibition that focuses on the ideas adult by the prominent Caribbean thinkers Lydia Cabrera (Havana, 1899-Miami, 1991) and Édouard Glissant (Sainte-Marie, Martinique, 1928-Paris, 2011). The exhibition presents modern and contemporary artists whose works respond to Cabrera and Glissant'south notions of literary ethnography, difference, opacity, and cultural multiplicity.
"Édouard Glissant was one of the nearly important writers and philosophers of our time. He called attention to means of global commutation that do non homogenize culture but produce a difference from which new things can sally," said Hans Ulrich Obrist. "His poems, novels, plays, and theoretical essays are a 'toolbox' I use every mean solar day in my praxis as an exhibition curator."
"Lydia Cabrera not just pioneered the study of Afro Cuban traditions, which is a key path for understanding the history and civilization of the Caribbean, but examined its various creolizations," commented Gabriela Rangel. "Cabrera was a self-taught polymath who should be paired to Glissant and who understood José Marti's idea of the archipelago as a passage to the crossroads of the world. Trained as an artist in Paris in the 1920s, Cabrera's mastering of ethnographical storytelling requests to exist revisited by both artists and social scientists as anticipatory of the role of subjectivity vis-a-vis documentary truth."
Lydia Cabrera reading, 1925. Cuban Heritage Collection at the Academy of Miami Libraries, Coral Gables, Florida.
Wifredo Lam, Retrato de Lydia Cabrera (Portrait of Lydia Cabrera), 1940s. Oil on canvas board. 8.75 10 seven.38 inches; 22.2 x 18.seven cm. Academy of Miami, Lowe Art Museum. Heritance of Lydia Cabrera, 91.0295.xviii. © 2018 Artists Rights Social club (ARS), New York / ADAGP, Paris.
Mestre Didi (Deoscoredes Maximiliano dos Santos), EJO AWURU—Serpente da madrugada, 1980s. Palm frond, painted leather, shells, and chaplet. 11¾ 10 22¾ x v⅞ inches; 30 x 68 x fifteen cm. Photo: Andrew Kemp. Courtesy of Almeida & Dale Galeria de Arte, São Paulo.
Etel Adnan, Hommage à Édouard Glissant, 2014. Paper. thirteen x 4¾ ten ¾ inches; 33 x 12 x ii cm. Private Collection. Photo: Arturo Sanchez
Édward Glissant, Mounsieur Toussaint: A Play. Washington: Three Continents Press, 2005. Defended book. 9 x six inches; 22.86 ten xv.24 cm. Photograph: Arturo Sánchez.
Édouard Glissant, Poèmes Complets. Paris: Gallimard: 1994. Defended book. 8.13 x 5.5 inches; 20.seven x 13.97 cm. Photo: Arturo Sánchez.
Wifredo Lam, Homenaje a Jicotea (Homage to Jicotea), ca. 1943. Ink and colored pencil on tracing paper. 6¾ x eight¼ inches; 17.1 x 21 cm. University of Miami, Lowe Art Museum. Bequest of Lydia Cabrera, 91.0295.12. © 2018 Artists Rights Lodge (ARS), New York / ADAGP, Paris.
Matta, Untitled, circa 1938. Colored wax crayon and pencil on paper, 12.five x 19.iv inches; 31.75 x 49.28 cm. Private collection.
Matta, Morfologia Psicologica Del Ataque, 1939. Graphite and crayon on newspaper, 22.6 ten 28.vi inches; 57.five x 72.7 cm. Private collection.
Amelia Peláez, Mujer con pez (Woman with Fish), 1948. Oil on canvas. 51 3/4 x twoscore inches; 131.4 x 101.half-dozen cm. Isaac and Betty Rudman Trust.
Julie Mehretu, Topoglyph (Mutation), 2015. Ink and acrylic on canvas. xxx x 40 inches; 76.2 10 101.half dozen cm. Private Drove. Photo: Tom Powel Imaging. Courtesy of the artist and Marian Goodman Gallery, New York. © Julie Mehretu.
Manthia Diawara. Édouard Glissant: Poèmes complets, 2017. Video; colour, sound, 26:45 minutes. Courtesy of the artist.
Asad Raza, Untitled (Q.Chiliad. II), 2009. Inkjet pigment print. 43¼ x 27⅝ inches; 110 ten 70 cm. Courtesy of Kathrin Jira.
Tania Bruguera, Destierro (Displacement), 1998 [2005 version]. Cuban globe, mucilage, wood, nails, and material. Variable dimensions. Courtesy of the artist.
Antonio Seguí, Salir corriendo, 2012. Acrylic on canvas. 57⅜ 10 44¾ inches; 146 x 114 cm. Courtesy of Durban Segnini Gallery, Miami. © 2018 Artists Rights Social club (ARS), New York / ADAGP, Paris.
Lydia Cabrera and Édouard Glissant: Trembling Thinkingis organized in partnership with the Cuban Heritage Drove of the University of Miami and curated by Hans Ulrich Obrist (Artistic Director of the Serpentine Galleries, London), Gabriela RangeI (Chief Curator and Manager of Visual Arts, Americas Society), and Asad Raza (Artist) with the assistance of Diana Flatto (Assistant Curator, Americas Gild),
Images courtesy Americas Guild.
Source: https://artssummary.com/2018/10/31/lydia-cabrera-and-edouard-glissant-trembling-thinking-at-americas-society-through-january-12-2019/
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